JUNE 24, 2013
Screaming Guitar,
Eccentric Rhythms, Outlandish Sounds, and Grandiose
Forms are just some words to describe “Astral
Projection” the killer new album from world
acclaimed guitar virtuoso George Bellas out on 21st
June 2013 via Lion Music.
"Astral Projection" is an amalgamation of guitar
saturated songs and epic progressive instrumentals
packed with chaotic guitar improvisations;
mind-twisting rhythms; emotionally intense lyrical
themes; and advanced explorations of modern melodic,
harmonic and rhythmic principles that are combined
with classical elements of counterpoint, harmony and
form.
Once again (and as with his previous 3 releases)
George has teamed up with drummer extraordinaire
Marco Minnemann with Bellas handling all guitar,
bass, and keyboard duties. George comments, “It’s
always a pleasure working with Marco and hearing him
humanise the drum parts I composed and also add his
unique sense of style and finesse. Some of the songs
on this album have very complex rhythms (nothing new
there!). I think when some people hear it they may
not realise the complexity and just how difficult
some of those rhythms are to play. Ever since I was
very young I have always written very naturally
using odd-meters, poly-meters, and other uncommon
metric devices”.
Musically, many of the songs contain a wealth of
exotic scales, eccentric harmony and unusual
progressions. George says on the subject of the
album style, “There is quite a bit more
aggressive, on-the-edge-of-your-seat improvisation
throughout the album, especially on the shorter
songs where the guitar plays the main themes. The
progressive songs on this album have other
instruments that present the main theme and the
guitar is used as a subordinate embellishment device
around the initial statements, and then later those
themes are developed with various instruments. Some
of the guitar embellishment phrases are quite
bizarre”.
George has also seen fit
to go against the modern day trend of cramming as
much volume onto a recording as possible and has
produced a more dynamic release for it,
“Sonically, as with my previous album, I wanted to
retain the full dynamic range of the recordings. So,
during the mastering stage I didn’t remove any peaks
and kept it very open sounding, which will be clear,
dynamic and spacious sounding when played loud.
Because no peaks were limited or squashing of any
dynamics were done, Marco’s drums are punchy and
will hit you like a ten ton truck”.
Whilst “Astral
Projection” might be the follow up release to 2010’s
“The Dawn Of Time” (Lion Music), this is not the
first album of new material Bellas has created in
this time, “After the release of my previous
album “The Dawn of Time” I had a new album ready to
go weeks after but had several other ideas that I
also wanted to compose and develop, so I decided to
release “Astral Projection” first and then the other
albums afterwards. I learned a lesson to not
announce a new album until you know it will be the
next one released. But the truth is, I have so much
music and am constantly writing that it is sometimes
difficult to decide which one I want to publish
next”.
George Bellas - Astral Projection sees digital
release via Lion Music on 21st June 2013.
George Bellas is a guitarist and composer who was
brought to the scene by Mike Varney in the late
1990’s on Shrapnel Records. Bellas currently has a
catalogue of over 20 albums that he has worked on
with others and as a solo artist. He has played and
recorded with an extensive roster of high-caliber
players, including: Marco Minnemann, UFO (MoggWay),
Dean Castronova, Virgil Donati, Ansley Dunbar, Trent
Gardener (Magellan), Vitalij Kuprij (Trans Siberian
Orchestra), Ring of Fire, John West, Uli Jon Roth,
Michael Batio, Joe Stump, Johnny Hiland, and
numerous others.
George’s music exhibits an abundance of classical
and ultra-modern composition elements and techniques
that include; counterpoint; Baroque, Classical and
Romantic era harmony; extensive odd-meters and
complex rhythms; a plethora of post 20th century
melodic, harmonic and rhythmic techniques; lyrical
melodies; large and small classical forms; and
intense guitar solos. “To me, it is not about the
rate of notes that is played, but the profoundness
of the music and how emotionally charged the playing
within it is.” - G.B.
As a prolific composer, Bellas is always sitting on
a mound of music and continues to write endlessly
while further exploring new composition devices with
the simple goal of wanting to hear something fresh
that stimulates the mind and emotions.
George is also an esteemed guitar and composition
instructor and has taught thousands of students
around the globe. Currently he offers several online
lesson programs via Skype.
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