|
|
REVIEWS:
|
Seventh Wonder - Mercy Falls 5/5
Reviewed: 2-20-09
Tracklist:
1. A new beginning
2. There and back
3. Welcome to Mercy Falls
4. Unbreakable
5. Tears for a father
6. A day away
7. Tears for a son
8. Paradise
9. Fall in line
10. Break the silence
11. Hide and seek
12. Destiny calls
13. One last goodbye
14. Back in time
15. The black parade
Yep, the many major progressive metal fans that have been raving about this CD for the last few months were right...
I don't really consider myself a progressive metal fan since I only dabble in the genre, so I passed on getting into Seventh Wonder when they first entered the metal world. I barely gave their debut 'Become' and 2nd CD 'Waiting in the wings' a glance as they were released, but after seeing tons of praise for their 3rd CD 'Mercy Falls', I decided to head off and do some serious and attentive listening of samples. Something about what I heard was calling for me to give this band a chance, so I quickly grabbed all 3 of their CDs, with my fingers crossed.
As I do with most bands that I get into, I began listening to their debut 'Become' first, and I was immediately impressed with the excellent musicianship and I even liked vocalist Andi Kravljaca, who I felt had a good voice. As for the CD as a whole, I ended up feeling like it was a promising debut, and I was already looking forward to hearing their 2nd CD. A month after starting to spin 'Become', 'Waiting in the wings' was thrown into my listening rotation and it was during only the first spin when I realized this is a very special band that had already surpassed the stage of simply being promising. The other thing I noticed right away was that the band had a new vocalist, Tommy Karevik, and while I liked Andi, calling Tommy superb is understatement, as his clear and melodic voice is up there with the best of them.
A month after my first spin of 'Waiting in the wings', the time had finally come for 'Mercy Falls', and even though I was aware the CD received tons of praise, I hadn't anticipated that it would completely blow me away. Seriously, how is it possible for this CD to be so amazing? I don't know, but I can tell you that I love EVERYTHING about it, and have had it in constant rotation for several weeks. I'm thrilled that Tommy returned as the vocalist, and quite honestly, whenever I'm not listening to this CD I'm craving to get it spinning again, as it's by far one of the most memorable CDs I've ever heard.
While 'Mercy Falls' (and Seventh Wonder in general) is definitely progressive metal, there are some hints of power metal (the opening moments of track 9 "Fall in line" for a quick example), it's easily heavy enough to satisfy, and surprisingly, there is plenty of speed present. This is not wierd, boring or wimpy progressive metal folks, it's all about catchy songs with spectacular melodies. So even though much of this CD could be lumped with Dream Theater and their many followers, there are some parts that bring to mind Circus Maximus, Pathosray, Anubis Gate, Symphony X, Pagan's Mind, Cloudscape, and even Serenity, Kamelot and Vanishing Point. The closest comparison is probably Circus Maximus, and while Seventh Wonder leans more toward progressive metal than most (or all) of these other bands, as far as heaviness, they're right on par. Plus, the few slow songs/parts are absolutely beautiful and the CD would surely lack something if they were absent.
'Mercy Falls' is a concept album, and it's an emotional one that has the ability to reach deep into your soul. The story takes place in a town called Mercy Falls and it's about a difficult family situation involving a man who finds out from his wife that the child he always thought was his isn't, and this leads to a car accident that puts the man in a coma. The concept has such an impact on the CD's emotional side and the fact that the band has captured this feeling is quite remarkable. In addition, there are some spoken-word parts and they help tell the story, while adding true life situations and personalities to this wonderful experience.
Musically, as you would expect, there are some long songs on this CD, but there are some short songs as well and everything balances out perfectly. The CD is always interesting, sometimes technical, sometimes symphonic, and is complete with brilliant time changes, memorable melodies, and really, there are some stunning musical segments. While it's usually guitarists that steal the show, keyboardist Andreas Soderin, drummer Johnny Sandin and bassist Andreas Blomqvist all have equal roles. That said, guitarist Johan Liefvendahl gives us an outstanding performance, but one aspect of this CD that's extremely impressive is that the music is sometimes led by the guitars, sometimes led by the keys, and is even sometimes led by the bass (there are some really cool bass lines). It's always a surprise to find out if the upcoming musical portion is going to be a guitar solo, a bass solo or a keyboard solo.
I obviously don't have a favorite song as every single one sits at the highest level of quality possible, and they flow together nicely to create this superb listening journey. I will add however, that I love how Tommy doesn't start singing until track 3 "Welcome to Mercy Falls", as the opening tracks build up to this song and there's some intense anticipation that's created. The closer "The black parade" has to be mentioned too, as it's a heavy yet memorable song that ends the CD with perfection and leaves a dramatic and lasting impression as the music fades. Seriously, every time this CD ends I immediately want to start it all over again, and it's over 70 minutes!
With so many metal bands in existence, I know I don't speak alone when I say that we all have to set limits on how many bands and genres/sub-genres we open our arms to, but 'Mercy Falls' is a flawless example of why we must make exceptions on occasion, and wander away from our favorite styles. So those of you who have passed on grabbing this CD because progressive metal isn't really thing, know that this CD is more than heavy enough to satisfy, and beyond that, I have a hard time believing that anyone couldn't love this, regardless of where their main tastes lie. Not only is this one of the best progressive metal CDs I've heard, it's also one of the best CDs of the decade - regarding all of the styles combined that I listen to. Highest recommendation possible!!
CLINT Metal CD Ratings
|
|
|
|
| Seventh Wonder - Mercy Falls (2008) |
|
 
SEVENTH WONDER - MERCY FALLS (2008, LION MUSIC)
Tommy Karevik - vocals
Johan Liefvendahl - guitars
Andreas Söderin - keyboards
Andreas Blomqvist - bass
Johnny Sandin - drums
Background
Back in 2006, Swedish prog metallers Seventh Wonder took first prize in the 'album of the year' stakes from yours truly, with their superb 'Waiting In The Wings' album. Two years later, they return bigger than ever, and with a new CD guaranteed to be considered the musical equivalent of David Lynch's 'Twin Peaks TV series, with more emotional roller-coasters than the best theme park can throw at you! This new one 'Mercy Falls' is very much like a TV series, following the dramas of a small town, a family tragedy and the fragility of human nature. Seventh Wonder don't give too much else away, apart from that, they'll leave the rest of it up to you - the listener, and us - the reviewer, to work it all out! I've refrained from reviewing 'Mercy Falls' sooner than this, because there is a lot of listening to be had with the CD.. all 74 minutes of it. Actually, the idea behind the concept of 'Mercy Falls' goes right back to the 'Waiting In The Wings' period and their 2007 tour thereafter, according to bassist Andreas Blomqvist. It has taken a full two years of total immersion to bring this album to fruition, and the attention to detail is oh so obvious. The musicianship on 'Mercy Falls' has to be heard to be believed. Two years ago, I commented on what a find singer Tommy Karevik was. In fact, I named him 'rookie of the year'. Well this time around, he reinforces his credentials in no uncertain terms. The deluxe edition of this album which I purchased contains a bonus DVD. On it, Tommy said that he agonised over recording the vocals, wanting to do his best and give the ultimate performance. He needn't have worried.. let me assure you.
The Songs
The album commences with the instrumental 'A New Beginning', which recreates a car accident crash scene, with paramedics trying to save the crash victims (man and a woman) from the wreckage.. they save the woman, 'but what about the man?'.. 'we've lost him' says the paramedic.. though it turns out he survives, but in a comatose condition.
It's followed by the dramatic overture 'There And Back', another instrumental which sets the scene for the first vocal track..
And that is 'Welcome To Mercy Falls', the town at the center of the Seventh Wonder plot. Lyrically, it's very dark and despairing, like a town without hope or light. But alas, this is not so, there is light at the end of tunnel.. 'it doesn't matter how far you've gone, welcome to Mercy Falls, where nobody's leaving..'. But later on in the song, the chorus changes from 'where nobody's leaving' to 'a chance to find inner peace' and 'where the light keeps changing'.
My guess is that the survivor in the accident is the protagonist in 'Unbreakable'. Though she is alive and conscious, she misses him (as he lays in a near permanent coma). Though she is a shadow of her former self, it is that shadow that allows the pain to break the previous unbreakable ties that bind her to him.. The impassioned delivery by the band brings this song to life in the vein of Dream Theater.
'Tears For A Father' is a short heartfelt ode from the son to his comatose father, played with a mainly acoustic guitar backing.
It segues directly into 'A Day Away', a musical tale of the son, who it seems seeks adventure through dare and daring.
Meanwhile 'Tears For A Son' is the despairing tale of the parent of the accident victim. It also spells out how the victim will receive bone marrow treatment from his son in an effort to save his life.
The surviving woman seeks an escape from her misery on the song 'Paradise'. It seems she is losing hope that her husband won't survive. 'breathe life into mine Father, my spirit caught in this hell'.
The album then turns its focus on the town of Mercy Falls itself. 'Fall In Line' talks about uniting to save the town, and to prepare for the storm that is coming their way.
'Break The Silence' is the longest track on the album. At nine and half minutes, it's epic like nature fluctuates between drama, angst and (as the lyrics say) sheer desperation.
Another longer piece is 'Hide And Seek', while 'Destiny Calls' reaches that point where a decision needs to be made.
Seventh Wonder turn to the acoustic guitar for the beautifully constructed 'One Last Goodbye'. On this song, they talk about how the bone marrow treatment has failed, and whether or not they should turn the life support system off.. By songs end, you know what decision has been made.
'Back In Time' is an instrumental, or more a musical collage of all that has gone before on this album. However, an interesting passage at the end of the song - you hear some dialog between the wife and husband, where she declares to him that their son is not his.. then you hear the sound of a car accident. Could it be that the reason for the accident in the first place was because of this? Interesting. Definitely something you would expect in a TV series.. lol!
The album finishes up with 'Black Parade', a song about moving forward and leaving the past behind.. The lyrics talk about searching and finding the light, living your life until you die.. 'don't you waste one more day in your life.. not one more day!
In Summary
So there you have it. Conceptual to the max. It follows in the footsteps of the aforementioned Dream Theater, Alkemyst and Dominici, all who have released concept albums of late. Musically, the band have moved ahead in leaps and bounds, the technical proficiency evident for all to see. Each of the band members contribute in so many ways, whether it's the vocal prowess of Karevik, the six-string bass pyrotechnics from Andreas Blomqvist or the powerhouse drumming from Johnny Sandin. Making comparisons between 'Mercy Falls' and 'Waiting In The Wings' will be inevitable, but unfair in my books, because they are different pieces of work.. different in so many ways. So far, many of the reviews I've read on the album only talk about the music, and very little (next to nothing) about the storyline. To my way of thinking, if you haven't wrapped your head around the story, then you've only got half the picture.. so that means many of those reviews are incomplete.. sorry to say. The Lion Music release provides two offerings: a standard audio CD, plus a deluxe edition with an extra DVD. The DVD was put together by Andreas Blomqvist, and features three parts: the first featuring the band during the recording/production phase, the second being a series of brief interviews with each of the band members, the third being a collage of photos in the form of a slide show. The DVD itself isn't overly long, nor particularly illuminating about the album concept, however, SW fans may get some value out of it. All in all, a lengthy slab of progressive metal featuring some of the most talented musos in the genre today!
URL: www.seventhwonder.nu : www.myspace.com/officialsw
Track Listing:
01 A New Beginning
02 There And Back
03 Welcome To Mercy Falls
04 Unbreakable
05 Tears For A Father
06 A Day Away
07 Tears For A Son
08 Paradise
09 Fall In Line
10 Break The Silence
11 Hide And Seek
12 Destiny Calls
13 One Last Goodbye
14 Back In Time
15 The Black Parade
Rating:
Related Articles:
Seventh Wonder - 2006 Waiting In The Wings
Seventh Wonder - 2008 Mercy Falls
www.glorydazemusic.com/ |
|
| SEVENTH WONDER: "Mercy Falls" 9
LionMusic 2008
Review by Urban "Wally" Wallstrom, 
7 October 2008
Not one, but two, instrumental pieces as the first pair of opening numbers on this 15-track CD seems like a rather strange and daring concept. Ok, the first one is a soundtrack-score, a fanfare-keyboard intro, possible inspired by Kiss and their famous car-crash accident of "Detroit Rock City". It's also the beginning of this concept album based on the fate of a small town, a tragedy, aka the crash, and the loss of a family member (who'll end up as a coma patient).
"Mercy Falls" is the third album release by Seventh Wonder and it's definitely their magnum opus. This isn't just another average Prog-Rock effort, nah, it's frankly put a small masterpiece of music, and you'll find large parts of 'Pomp' and Melodic Metal on this platter too. Imagine the close to perfect mix of Yngwie Malmsteen during 'Eclipse', Dream Theater (Images And Words) and some of the grand pomp of Robby Valentine and Queen, and you're definitely a bit closer to the core of "Mercy Falls".
Still they have their very own original Prog-Metal sound and it's a utterly melodic, complex, album, that just keeps getting better for each spin (up to a certain point of course). Vocalist Tommy Karevik is like a updated and more diverse version of Goran Edman (Yngwie Malmsteen, Madison, Glory), and there are just marvelous guitar/keyboard interludes to be found throughout the record. I really can't single out any tracks or even mention any 'highlights' as they're all part of this superb concept album.
Best of all, even though it smells like prog-metal, it's basically a cross-over release, and you don't really need to be a die-hard fan of any 'special' genre of hardrock to appreciate the music. Final Verdict: you'll end up in awe over the lads ability to combine melody, harmony, and complexity. The 74 minutes of music will all be gone way too soon and you'll be spinning the disc over and over again. Highly Recommended! www.rockunited.com
|
|
|
|
Seventh Wonder – Mercy Falls
2008 Lion Music
Welcome to Mercy Falls, a town where tragedy collides with the human element – and the story unravels throughout Seventh Wonder’s most ambitious album to date – but is it more than just one story, yes it is, and it all comes together full circle on what appears to be the concept album of the year.
Mercy Falls is one solid record, a piece of work that stands in line with the first wave of progressive metal bands & modern day troubadours such as Circus Maximus, Stride, Vox Tempus, and Sphere of Souls for music that keeps the focus on the melody – but here, with this being a concept album, Seventh Wonder’s strengths are shown further when the concept is brought to the table, as so few are able to keep the musical element strong while keeping or even attempting thematic overtones – as this band pulls it off on both ends, making for a completely solid record.
The music itself is brought forth with instrumental passages, sound effects, and even dialog from characters that help enhance the overall story and mood – the album starts out with the instrumental “A New Beginning,” which is where the tragedy begins (a car accident, where we are treated to a mass of orchestration which leads up to a metallic jam session that is amongst a backdrop of sirens & emergency radio communication…hinting that this is going to be a dark journey). Intensity is followed with the second track (“There and Back”) which is also an instrumental cut; creating an interlude to more hard edged numbers such as “Welcome to Mercy Falls,” the staccato laden “A Day Away,” “Paradise,” and “Destiny Calls,” which all portray the upbeat side to the record; but with the concept comes the emotive stance and laid back tunes as well as balladry are cleverly executed with “Tears for a Son,” “Tears for a Father,” and “Break the Silence” casting the darker pall upon the fifteen cuts. Two climatic songs end this record, “Back in Time” where the concept seems to take its shocking turn, and “The Black Parade,” which is almost like a reprise, not necessarily to the concept, but to the actual psychological themes altogether.
Recorded by the band with help from Daniel Flores (Mind’s Eye), mixed and mastered by Tommy Hansen (Helloween, Manticora), with bassist Andreas Blomqvist at the helm of it all, Mercy Falls is not only a record of excellent musical feat, but it proves with all involved really are helping lead the way for the real solid melodic progressive metal to come back to the forefront in the days where the song is often lost unto overdone arrangements & production (yes there is are catchy choruses and hook laden riffs on this one). Within the spectrum of concept albums it falls upon the lines of Operation: Mindcrime instead of something that is far fetched such as Pain of Slavation’s Be; the right nerve has been struck with Mercy Falls, album number three proves to be the charm for these guys, like label mates Mind’s Eye, they just keep getting more elaborate, and it’s on their own terms at their own pace, not setting out to make the wrong music for the wrong reason – it’s all right and it’s all good here.
CLICK HERE to read an Interview with Andreas Blomqvist from late 2006.
CLICK HERE to read a review of ‘Waiting in the Wings.
Added: September 14th 2008
Reviewer: Tommy Hash
Score: 
Related Link: Seventh Wonder link
|
 |
| Seventh Wonder |
| Mercy Falls |
| Rating |
 |
| Style: |
Progressive Metal |
| Release date: |
September 12th 2008 |
|
|
Welcome to Mercy Falls.
Album number three from Seventh Wonder, 'Mercy Falls', is a concept album based on the fate of a small town, a family tragedy and the beast we refer to as human nature, and the story has perfectly been tied together with small bits and pieces and the story flows like a silent stream in the twilight.
Seventh Wonder takes us into another dimension with this full blown conceptual piece of art. And let me assure you that this is this year's diamond in the rough; the gem has been cut just right, and the result a precious stone of the highest carat.
Seventh Wonder has taken the proven formula from their latest album and added multiple layers to their trademark sound, taking their music to new levels in every aspect. 'Mercy Falls' is their most ambitious and musically accomplished album to date, and they have nurtured each and every little detail and worked them out to perfection, giving the album immense depth, complexity and diversity.
The music is loaded with fine details, twists and turns, wonderful melodic passages, delivered by a very talented and tight band, but the thing that makes this album something extraordinary and exceptional is Tommy Karevik, who delivers the vocal performance of a lifetime. And with a production that sets a new standard in the genre; perfectly balanced, crystal clear and rough in all the right places, we have a new genre reference in the making.
The album has some structural resemblance with 'Scenes from a Memory', and is musical in the same league, and in a month that potential sees great releases from bands like Metallica, Evergrey, Amon Amarth, Trivium and Neal Morse, this one might possible end up being the winner, at least in my book.
Brilliant!
www.powerofmetal.dk
|
Rating
Label: Lion Music
Released: September 12, 2008
Reviewed by Distortionplus
Posted on 13th September, 2008
Average time to read: 6:09 minutes
Track Listing
1. A New Beginning 03:05
2. There And Back (Overture) 03:02
3. Welcome To Mercy Falls 05:11
4. Unbreakable 07:18
5. Tears For A Father 01:58
6. A Day Away 03:43
7. Tears For A Son 01:43
8. Paradise 05:44
9. Fall In Line 06:09
10. Break The Silence 09:29
11. Hide And Seek 07:46
12. Destiny Calls 06:17
13. One Last Goodbye 04:21
14. Back In Time 01:14
15. The Black Parade 06:57
Total playing time:
01:13:57
Cenotaph:
Seventh Wonder is a band that doesn’t call for a special introduction on the Treehouseofdeath pages, for there have been many discussion about these “new” wonders since the time of their brilliant sophomore release 2006’s Waiting In The Wings (WITW, hereafter). To say that I liked what the guys offered with their instantly catchy yet very intricate blend of Progressive and Melodic Metal on that album would be a bit of understatement, as I absolutely fell in love with it, making it a regular part of my Metal menu over the last two years. The album was such a leap forward from all angles, in contrast to their good yet rather average debut Become, that it almost instantly rocketed Seventh Wonder to the highest echelons of the genre.
2008 came upon us, and once the rumors of an impending release became borne out, turned into a year of great anticipation for all their fans. But, WITW had set such high standards at both the instrumental and vocal fronts that it was difficult to believe that its magical confluence of alluring melodies and thought-provoking lyrics colored with irreproachable and inventive arrangements could possibly be surpassed or even matched with Mercy Falls. However, I take pride in calling the new material another imposing chapter in the band’s history, since it utterly confirms that there is nothing impossible at the Seventh Wonder camp. They have once again exceeded themselves, creating a masterpiece that, while being rife with many thoroughly familiar components, can also boast of some nearly intangible new touches.
The first thing I noticed was how the dark blue colors of the cover art perfectly match the overall atmosphere of Mercy Falls. As you probably know, blue is the color of tranquility, harmony and depression, all of which are abundantly reflected in the new material showing us a band that now incorporates a larger variety of slower tempos as compared to on WITW, which was in contrast a showpiece of energy, warmth and enthusiasm, as the fiery colors of its cover suggested. Thus, while “Pieces”, as a ballad, felt rather lonely on the previous release, such new songs as “Tears For A Father”, “Tears For A Son” and “One Last Goodbye” form a solid unity, each equipped with tuneful refrains and great half-acoustic string arrangements. Moreover, you will also encounter more calm and somewhat depressive sections thrown in among the more energetic and faster parts. Take, for example, the dreamy Floyd-ish guitars and keys opening the beautiful mesmerizing number “Fall In Line” with its brusque rhythm and challenging vocal lines, or the highly emotive guitar/vocal prelude to the splendid nine and a half minute epic “Break The Silence” bewitching with its multifold of dynamics.
However, the well-established sound of their previous release hasn’t undergone any drastic changes and the band doesn’t wander to far off the beaten track relying as before on the incredible interplay between the guitars and the keys, effective machine-gun drum work and extremely hooky vocal parts rather than flirting with any gimmicky novelties. Hence, don’t expect to hear a Seventh Wonder bereaved of the utterly spectacular bass improvisations by Andreas Blomqvist, guitar gymnastics and neo-classicisms by Johan Liefvendahl, or the colossal keyboard and piano roulades by Andreas Söderin. On the other hand, there is still one big plus shown in the new songs: they don’t sound like a re-hash of their earlier material, which is well confirmed by the great songwriting displayed on the album. You can easily pick out any track and get immediately carried away by its charming melodies never thinking of their previous works. Thus, listening to the amazing instrumental “There And Back” along with the following title track of the album, I would recall the wonderful entrancing synths done by Jordan Rudess for Dream Theater on Six Degrees Of Inner Turbulence rather than anything heard on WITW. Yet, that parallel would feel rather subtle since Seventh Wonder, unlike the mentioned Prog titans, are much more focused on the melodic wizardry than on the overdone instrumental wankery. Being known as a die-hard fan of the band, I could endlessly sing out my praises of the Mercy Falls values, but let me call on the next reviewer’s opinion.
Distortionplus:
Well, this is definitely a big step for a band that as good as they were on WITW, really needed to do something just as spectacular for the follow up. Other groups like Circus Maximus are already championing the cause of catchy AOR style Prog Metal, while Pagan’s Mind are digging into spacey science fiction topics, so where else could SW go? The answer is in an elaborate concept album based on a story that isn’t so far fetched as to involve aliens or other such exotic themes, but rather something that could potentially happen to anyone. I guess the story may have been the springboard for the music, but in all honesty, it’s their compositions and overall musicianship that interest me as much if, not more so than any underlying narrative, so I’ll mainly focus on that.
In comparison to WITW, Mercy Falls has a little less of the instrumental showmanship, and is instead a great example of a band that has matured to play more cohesively and with a degree of restraint – when needed. They still allow each other to get a little bit of time in the spotlight, but overall they are playing tighter as an ensemble and more for the songs this time. The real standout here is vocalist Tommy Karevic who as usual, does not disappoint in any way. A concept album like Mercy Falls typically requires a great vocal performance and Tommy once again rises to the occasion, his smooth delivery still having an edge when appropriate, but without resorting to any clichéd Metal affectations in order to get his lines across. A few of my favorite performances of his include the title track where he sings with a little bit of an angrier tone-which I’ve always really liked in him, and as a contrast, the acoustic ballad “Tears For A Father” with its very soulful vocals. If you’ve already heard his stunning work on the ballad “Pieces” from WITW, you know what an extremely emotive singer he is. He’s easily my favorite vocalist in the Prog Metal genre.
Speaking of vocals, a few songs like the title track still employ fantastic layered backing choruses, but they don’t seem as frequent or as up front here as on WITW. This is my only tiny complaint as I thought it was a terrific signature part of their sound, and something I would have liked to hear more of. However, it probably imparts a lot of challenges to being recreated in a live performance so no doubt that may have been one consideration.
Although there may be less of the drawn out soloing on this one, and apart from the opening instrumental “There And Back”, there are still a few standout moments like the longer jam on “Unbreakable”, the screaming guitar solo of Johan Liefvendahl on “Paradise”, or the neoclassical leads of “Break The Silence” which are nicely countered with an improvised sounding bass line from Andreas Blomqvist. Keyboardist Andreas ‘Kyrt’ Söderin takes his turn on this number as well, playing magnificently, but not drowning the song or the rest of the album in keys, either. And I sure can’t forget to mention drummer Johnny Sandin who lays down excellent hyper-kinetic beats and barrages of fills throughout the album. He along with bassist Andreas have to be one of the best rhythm sections out there today, always mixing things up, pushing the musical envelope, and being as key to the bands sound as any guitarist or lead singer could ever be.
Thankfully, the much discussed story line narrations used on the album are few and far between, and only in the case of “One Last Goodbye” do they intrude on the music, more typically being heard between the songs. Even though I’m not a big fan of using voice-overs on a song, I can live with it in this case, as the song is fairly low key to begin with and therefore doesn’t get too overshadowed. I should mention that this album was produced by Andreas Blomqvist and once again mixed/mastered by Tommy Hansen, the result being another extremely good sounding recording from the group.
Overall, Mercy Falls is a big step ahead for the band and I think they have more than succeeded in reaching the next level of artistry beyond their first two albums. It may not be as immediately accessible as WITW due to the greater complexity of the songs, and granted, there may be some fans slightly disappointed by the lesser amounts of explosive energy on this new one, but it’s a necessary evolution and a small risk that had to be taken by the band as they continue to grow. There is definitely more to look forward to from Seventh Wonder.
THOD’S other Seventh Wonder reviews:
http://www.treehouseofdeath.com/?p=546
http://www.treehouseofdeath.com/?p=581
Seventh Wonder Myspace Page:
http://www.myspace.com/officialSW
|
SEVENTH WONDER
Mercy Falls
© 2008 Lion Music (LMC247)
progressive metal
studio album
15 tracks - TT 74:08
release date: September 12, 2008
http://www.myspace.com/officialsw |
 |
“Mercy Falls” is the third album in four years from this excellent Swedish progmetal band and they keep on surprising me with the high quality of their output. “Become” (2005) was already very good, the follow-up “Waiting In The Wings” (2006) was great and at least the same can be said of the brand-new “Mercy Falls”, which turns out to be a concept album ‘based on the fate of a small town, a family tragedy and … human nature’. Mainly written while on tour in Europe in 2007, the new album offers all the ingredients we dared to expect from the five band members: superb songs with a wealth of variety and tempo changes, soaring vocals from Tommy Karevik, fiery axework from Johan Liefvendahl, subtle yet effective keyboards from Andreas Söderin, a solid rhythm section from the pair of Andras Blomqvist and Johnny Sandin, plus an excellent sound (Seventh Wonder, Daniel Flores, Tommy Hansen) and a deluxe packaging (although there’s also a standard CD available). I just hope Lion Music can keep this flagship, because I’m afraid they’re becoming too huge for such a small label! Absolutely recommended, once again!!! ( CL)
|
|
|
|
|
|
|
Seventh Wonder - Mercy Falls Review
Five Stars (out of five)
When I heard news of this album, I knew what to expect.
I expected the same caliber of musicianship heard of Seventh Wonder's two previous albums: Become and Waiting in the Wings.
I expected incredibly catchy vocal melodies delivered with power and emotion from one of the strongest metal singers active today.
I did not, however, expect this.
For those seeking brevity, allow me to provide it for you. Mercy Falls is simply a masterpiece. Do not take that claim lightly, dear reader. Mercy Falls is, without a doubt, a masterpiece.
In short, Mercy Falls is to Seventh Wonder what Operation Mindcrime or Scenes from a Memory are to Queensryche or Dream Theater. It is a mature and fully developed concept album: one that does not fully reveal its concept upon first listen, yet never falls into the territory of thematic ambiguity. In other words, the story is complex without missing important pieces vital to a full understanding.
Mercy Falls tells the story of a tragic accident and the many years following. Throughout the album, a number of characters are examined, and we see them struggle with their lives after the accident. One character, a husband and father, remains trapped in a coma following the accident, yet his story is the real spotlight. This is but the surface of the complex plot, which becomes continually more impressive as the album progresses.
Most of the story is told within the songs themselves, though certain elements are provided through spoken sections. In many rock albums, spoken dialogue nearly ruins the album, either do to abysmal voice acting or awful writing. Mercy Falls suffers from neither of these problems. In fact, the female voice acting is stellar--perhaps the best that I've heard on any rock album.
Even more impressive is the fact that the album tells not one but two stories. Of course, they are connected, yet the way that the two stories interact is masterfully done. To provide an example that does not give away story elements, a voice acted section reveals an important action taken by the man's wife and doctors. The effects of that action are immediately explored in the next song, yet in a very unexpected and brilliant manner. It is just one example of the album's extremely creative storytelling style, which allows the plot to seem extremely fresh, despite the fact that it is, at heart, a fairly familiar situation.
Within the songs themselves, the lyrics range from good to brilliant. I counted a few lines that could be considered cliched, but these moments are far outweighed by simple moments of lyrical beauty. There are a number of vocal phrases that are extremely powerful, and the meaning contained within single lines is often multifaceted. For example, on the song Tears for a Father, the line "Please don't tell...I know you won't tell" is simultaneously heartbreaking and amusing, as it shows the typical innocence of a child coupled with the tragic reality of the situation. It's a breathtaking moment, and one of many that are likely to make your throat tighten.
Yet the story would be ineffective without strong music to support it, and Mercy Falls offers songs that will impress even the most critical progressive metal fans. The album is nearly eighty minutes long and offers songs in a variety of moods. While Seventh Wonder doesn't necessarily delve into many different musical styles, the songs never seem repetitive, and the complex rhythms and unexpected time changes ensure that the songs never seem stale.
Mercy Falls contains some insanely catchy vocal melodies. The catchiness really never lets up on this disc; it's almost overwhelming at times, as you'll be given several melodies within a song, each stronger than the last. It's something that Seventh Wonder accomplishes in a way that other progressive bands do not. Just when you think you've reached the "chorus" melody--the melody that is supposed to be the strongest within a song--another is waiting just seconds away, even stronger than the last. This is the case in the fourth track, Unbreakable, which contains some melodies that are simply stunning.
The delivery of said vocal melodies is flawless. Tommy Karevik succeeds where so many progressive vocalists fall short. Not only does he have an incredible range: the quality and strength of his voice never falters, no matter if he is singing low or high notes. In addition, the emotion of his singing is matched perhaps only by Enchant's Ted Leonard. While there are a plethora of instances in which his emotion is evident on the album, perhaps none is as strong as the performance of Tears for a Father. The lyrics themselves are heartbreaking, but the way they're sung is perhaps even more emotionally affecting. One Last Goodbye is another highlight: a song that features a female guest vocalist (who must remain nameless). Hearing them sing together is yet another moment that's likely to put a lump in your throat.
The instrumentation and production are both phenomenal as well. The production deserves an extra special mention for its ability to bring every instrument to the forefront of the mix at various times. Whether it is the thunderous bass drum technique of Johnny Sandin or the complex grooves of bassist Andreas Blomqvist, it's all easily heard in the mix, especially with a great set of surround speakers or high-quality headphones. Unbreakable, one of the album's longer tracks, has many passages in which the guitar is central, then the bass, then the drums, and it's all balanced perfectly. Furthermore, it's crystal clear.
In a better world, this album would be absolutely huge. It deserves it. It's an album that demands the listener's undivided attention. Mercy Falls is the most accomplished concept album in recent memory, and is easily a contender for the best album of 2008. It's a disc that no fan of progressive rock and metal should pass up. Mercy Falls is the kind of album that you're proud to stand behind; it's a banner that proudly proclaims "This is what music should be."
www.progressivemelodies.com
|
|
|
|
|
|
|
|
|
 |
| Label / Release Date |
| Lion Music / Out Now |
| Official Website |
| http://www.seventhwonder.nu |
| Track Listing |
1. Star Of David
|
2. Taint The Sky
|
3. Waiting In The Wings
|
4. Banish The Wicked
|
5. Not An Angel
|
6. Devil's Inc
|
7. Walking Tall
|
8. The Edge Of My Blade
|
|
| Musicians |
Tommy Karevik - Vocals
|
Johan Liefvendahl - Guitars
|
Andreas “Kyrt” Söderin - Keyboards
|
Andreas Blomqvist - Bass
|
Johnny Sandin - Drums
|
|
|
|
SEVENTH WONDER - WAITING IN THE WINGS
|
Seventh Wonder was formed in 2000 by bass player Andreas Blomqvist, guitarist Johan Liefvendahl and drummer Johnny Sandin after their previous band fell apart. The music turned towards the progressive side of metal and as the band was joined by keyboard player Andreas “Kyrt” Söderin late 2000, the new sound was cemented. The band released the acclaimed “Become” in 2005 on Lion Music although sadly I felt that release was marred by the production slightly (most likely down to budget constraints). Just before the release of “Become” the band replaced then vocalist Andi Kravljaca with Tommy Karevik whose super impressive vocals take the band to stunning heights on their new album “Waiting In The Wings”.
This new album “Waiting In The Wings” was recorded in 2006 and was mixed and mastered by the legendary Tommy Hansen (Helloween, T.N.T), and engineered by Daniel Flores (Mind’s Eye) and the band themselves. Sonically it’s a huge improvement in every department over the debut and now the band have the sound the debut longed for. In conjunction the song writing skill has also been turned up a few notches (something which wasn’t lacking on the debut in reality) and anyone that enjoys melodic progressive metal then be prepared to have your senses absolutely buzzing with the ecstasy that will be gained by purchasing this album. The genre itself is very popular in Europe and to a lesser extent in the USA, but this album has the goods to make them into genre leaders – simple as that.
Highly impressive from start to finish “Waiting In The Wings” has no weak points although I feel the album is at its strongest with the opening trio of “Star Of David” (relatively mid tempo), “Taint The Sky” (finely crafted metal) before the title track “Waiting In The Wings” will blow your head off with its polished musicianship and stunning melodies (a favourite for Prog Metal track of the year). Here the album continues very strongly “Banish The Wicked” has a Malmsteen “Eclipse” feel to its melodic verses whilst “Not An Angel” possesses a power metal meets Vanden Plas edge to it. “Devil’s Inc” is reminiscent of Dream Theater at their best, although Tommy Karevik vocals are infinitely more pleasing to these ears than the LaBrie’s more recent output. “Walking Tall” is a compact track which feels like it has some roots in Queensrÿche waters (Op:Mindcrime I era) with its riffing. Album closer “The Edge Of My Blade” finishes things off in equally impressive style.
The whole album from start to finish is a progressive metal treat. No-one member really stands out and this is to be praised as it shows the guys are playing for the song which makes the album stronger for it. Sonically the album is very good and has a wicked bottom end. Couple this with classy vocals and melodies and you have an all-round hit. One to pick up for sure.
|
| Hot Spots : Star Of David, Taint The Sky, Waiting In The Wings |
| Rating : 95% |
|
Review from www.virtuosityone.com
SEVENTH WONDER - WAITING IN THE WINGS
(A-) Lion Music, 2006
9 tracks, RT: 55:48
I knew this band had great potential subsequent to my review of their debut album BECOME, and sure enough, WAITING IN THE WINGS has proved me right. An almost perfect balance of prog and melodic metal, WAITING IN THE WINGS is sure to raise more than a few eyebrows in the community as its many delights are discovered. One of the first things you notice about WAITING IN THE WINGS is the phenomenal voice of Tommy Karevik, who is ideal for this type of music. Check out the extraordinary "Taint The Sky" for a quick overview of what this band is capable of, its memorable keyboard intro leading to some killer rhythmic grooves, tricky instrumental passages and that awesome voice! Guitarist Johan Liefvendahl really distinguishes himself throughout the album, delivering involved yet tasteful solos in unexpected places. Andreas Blomqvist keeps the bass guitar foundation interesting and appropriate, while drummer Johnny Sandin skillfully manages all manner of time changes and technical challenges. Seventh Wonder certainly wouldn't be what they are without keyboardist Andreas "Kyrt" Soderin, his playing flashy in all the right places while adding the element of drama and atmosphere so important to progressive music. More brilliance is revealed on the crunchy "Banish The Wicked," majestic "Devil's Inc.," hard-hitting "Walking Tall," and anthemic "The Edge Of My Blade." The band gets a little too far into AOR territory on "Not An Angel" and finishes the album with the pleasant but relatively sedate "Pieces," but these are very small qualms; with uniformly strong material, adroit performances along with an outstanding mix and production provided by Tommy Hansen and Daniel Flores you have the ingredients for a superior album, and WAITING IN THE WINGS does not disappoint. I just hope these guys get the recognition they deserve! Stunning...
- Neal Woodall (MysticX9@gmail.com)
Detritus Rock/Metal e-zine
"Rock Hard With A Purpose"
http://groups.yahoo.com/group/Detritus/
http://www.myspace.com/detritusezine
| Seventh Wonder - Waiting In The Wings (10/10) - Sweden - 2006 |
|
Genre: Progressive Metal
Label: Lion Music
Playing time: 51:21
Band homepage: Seventh Wonder
Tracklist:
-
Star Of David
-
-
Waiting In The Wings
-
Banish The Wicked
-
Not An Angel
-
-
Walking Tall
- The Edge Of My Blade >mp3
|
 |
|
Two years ago, my fellow TMO Brother Charles McLachlan predicted that “SEVENTH WONDER…will definitely go on to great things.” The man must be psychic, because his estimate couldn’t have been more accurate. With “Waiting In The Wings”, the second full-length album from the Swedish Prog Metallers, SEVENTH WONDER have indeed produced something truly fantastic.
On “Waiting In The Wings”, the often at-odds theories of Melodic Metal and Progressive Metal are bridged with a polish I’ve yet to hear from any other band attempting the same (VENTURIA, CLOUDSCAPE). The verses are deliciously Proggy, with guitarist Johan Liefvendahl often collaborating with bassist Andreas Blomqvist on a light-speed harmony riff. The one around the six-minute mark on the title track is particularly interesting. I mean, Liefvendahl and Blomqvist can really play the hell out of their instruments, something that’s obviously a necessity in the musically challenging world of Prog.
The choruses are a whole different ballgame, although in a good way. They’re distinctly catchy and incredibly melodic, thanks to powerhouse vocalist Tommy Karevik, whose soaring voice really makes the choruses his own personal talent showcase. Karevik holds nothing back on the choruses, utilizing his full (and impressive) range to bring the song to full realization. What’s more, each chorus is noticeably different from the last; there isn’t any recycled material here whatsoever. When you listen to the multi-layered vocal harmonies of songs like “Devil’s Inc.”, “Not An Angel”, or “The Edge Of My Blade”, you really can’t help but think “Wow, this is pretty much icing on the cake”.
I tried my hardest to find a single flaw, just one little chink in the armour of this album, yet all my efforts were for naught. “Waiting In The Wings” is nothing but pure nirvana for Progressive Metal fans and I firmly believe it is worthy of a perfect score. If you’re a fan of Prog or Melodic Metal, or hell, even Power Metal (Karevik sounds a bit like Piet Sielck at times), do not hesitate to pick up this album. It’s well worth every cent. (Online October 6, 2006)
|
www.metal-observer.com
|
 |
|
|
| SEVENTH WONDER - WAITING IN THE WINGS / Lion Music |
|
| Written by Matt Coe www.imhotep.fi |
| Monday, 02 October 2006 |
 
Stability in the front man department would not be one of the strong suits after perusing the background information on this Swedish progressive metal quintet. At one point enlisting the help of Insania vocalist Ola Halen as well as recording their debut album “Become” with ex-Elsesphere singer Andi Kravljaca, Seventh Wonder have made small strides in terms of their musicianship but lacked a convincing crooner to bring home all of the melodies in the perfect manner. Until now. Recorded during early 2006 the follow up album “Waiting In The Wings” marks the debut Seventh Wonder performance for Tommy Karevik, and what a masterful find he is in terms of tonality, warmth and charm.
“Waiting In The Wings” contains nine tracks that shimmer in a lighter progressive metal framework. The keyboards preferable accenting the more challenging guitar, bass and drum parts in an understated manner while the songs gravitate and fluctuate between short, quick efforts like closer “Pieces” and “Walking Tall” to more challenging epic filled efforts such as the title track or “Devil’s Inc.”. Tommy’s versatility and sensitivity come through in spades as he moves the listener not unlike a Jorn Lande or Goran Edman- especially evident on the more challenging “Taint The Sky” which could double as a long lost classic Elegy cut during their “Supremacy” album period. Bassist Andreas Blomqvist and drummer Johnny Sandin could teach all the Dream Theater clones a thing or two as a result of their playing on this album- proving you can mix up the tempos and throw down some crafty runs without always cramming thousands of notes into the measure. Engineering, mixing and mastering left in the capable dual hands of Daniel Flores and Tommy Hansen, Seventh Wonder should feel very proud of the recording they’ve released- you can hear the time signatures flow effortlessly while they soak in progressive rock/metal influences, creating their own take on the genre.
After years of burnout on the style while new acts couldn’t come up with something fresh to save their lives, acts like Seventh Wonder renew my banner waving desire to travel deeper into the underground to unearth what could possibly hit our stereos next.
(2006) 55.48 min.
|
The second album from progressive metal band Seventh Wonder, titled Waiting in the Wings, is one hot release, and will easily surprise those who thought that their debut from 2005 Become was one of the best the genre had to offer that year. With brand new singer in tow,Tommy Karevik (ex-Vindictiv), the band sounds refueled and retooled, and Waiting in the Wings is a monster of soaring melodies, instrumental virtuosity, and crunchy riffs. Produced by none other than Tommy Hansen (Helloween, TNT), this brand new opus sounds fantastic, and the listener gets swept into each of the CD's nine tracks quite easily. 
Recorded by Daniel Flores of Mind's Eye. Mixed and mastered by legendary Tommy Hansen (Helloween, TNT, Jorn Lande). Artwork by Carl-André Beckston [MonoWasp]. Plus the music of Seventh Wonder taken to new hights by new frontman. Tommy Karevik on lead vocals.
Waiting in the Wings
Seventh Wonder 
The debut album, Become, from newcomers Seventh Wonder is an impressive first step in what hopefully becomes a long career. Their music is best categorized as Melodic, Progressive Metal full of power-drumming without all the extreme guitar histrionics. The music is presented confidentially and forcefully with more of a focus on melody versus overpowering and overbearing displays of self-indulgence.
CL