Joop Wolters CD's
Due to changes within the postal system we can no longer ship just one single CD (or we could but shipping would be very expensive)
as minimum shipping fee will be for one kilo (more or less 6-7 CDS).
We are very sorry for this change but we have no way to influence the current changes within the postal system.
On the other hand we will offer discounts on bigger orders as much as possible.
Please send an e-mail with the titles you wish to order and include your full address and phone number (needed for fedex)
to lion.sales(at)lionmusic.com and we will give you our best price including shipping. You can pay vith credit card through PayPal or via bank transfer.
|
||
Euro (Europe) |
USD (North America, Asia) |
|
Dutch guitar sensation JOOP WOLTERS is fast gaining a reputation as one of Europe’s finest new breeds of virtuoso guitarists. Having been involved in the music scene on a recording level since 1995 with numerous solo albums and band projects under his belt, Joop’s trademark style is fast gaining a solid fan base around the world and with his soon to be released third solo album ‘OUT OF ORDER’, Joop has raised his performances to even greater levels. |
|
||
Euro (Europe) |
USD (North America, Asia) |
|
The lead guitarist of Arabesque, Shadrane, and Joop Wolters returns with his second solo release.Speed, Traffic & Guitar Accidents is home to 17 tracks that see Joop delve deep into his emotions to produce a stylistically varied release. Music fans that appreciate strong focused guitar work will find Speed, Traffic & Guitar Accidents a true gem |
|
||
Euro (Europe) |
USD (North America, Asia) |
|
Solo debut album from the guitarist of aRABESQUE |
REVIEWS: |
||||||||||||||
JOOP WOLTERS - OUT OF ORDER (B+) Lion Music, 2007 16 tracks, RT: 61:09 Fantastic Dutch guitarist Joop Wolters returns with his third solo album OUT OF ORDER and delivers another dynamic collection of instrumentals sure to bend the ear of those into high-octane guitar. Joop is a real natural on cuts like the driving "American Dance," fusion-drenched "Cardiac," majestic "Divide & Conquer," and the funky "Fried Call." There is plenty of variety here, Joop proving himself equally fluent on acoustic and electric and handling pretty much all the composition, instrumentation and production. Honestly I'm not a huge fan of drum programming, and the only real complaint I have is that the drums are sometimes distracting, just a bit too regimented to allow for the music to be fully expressed. Joop uses live drummers (including the incredible Virgil Donati) on "Heartline" and "Tied Knots" and the difference is immediately evident. Not to belabor that one quibble, Joop is a master guitarist and composer and should be heard by a far larger audience. OUT OF ORDER may not be the release that brings Joop massive name recognition but should further solidify his place around the top of the current crop of talented shredders making the rounds. - Neal Woodall (MysticX9@gmail.com) Detritus Rock/Metal e-zine "Rock Hard With A Purpose" |
||||||||||||||
The opening track, “Broke”, starts off as a mediocre Rock song but in a matter of seconds bursts into fanfare as Joop really gets the listener’s attention fast with his fancy fretwork. The thing that’ll initially grab the listener’s attention by their cojones or bollocks with this track is the energy and “bite” in Joop’s lead guitar tone. It’s difficult to explain to a casual listener but it’s the type of tone that makes one sit up in their chair and take heed. This particular tone carries over into the lead for the second track, “American Dance”, which is another great Rocker. By track three things slow up just a bit as “Anthem” exudes a slower, melodic and moodier tempo. Joop’s lead guitar lines here should raise some suspicion that he might have listened to a few Allan Holdsworth tracks. Suspicion turns into reality as the next track “Cardiac” is pure fusion Holdsworth style, right down to the point of producing guitar synthesizer type sounds. It’s all well done and remarkably technical from a musical standpoint… it’s just that some fans might not appreciate the musical change in direction from the rowdy openers “Broke” and “American Dance”. “Dropout” is more artistic Jazz/Fusion for those who can or want to appreciate it. There is a spectacular riff, which pays homage to Al DiMeola, in “Dropout” that acts as an introduction and backing track to the great solo that accompanies it. It's moments like these that make this release shine! Another fine example is the beginning of the track “Fried Call” in which Joop’s fuzz/compressed tone seems to pay tribute to There And Back era Jeff Beck. The songs on Out Of Order aren’t as memorable or entertaining as say a Simone Fiorletta, but Joop’s playing more than makes up for any other deficiencies on this release. Joop’s solos are fluid and melodic with plenty of “feel” which all adds up to a very compelling listen especially when he breaks into a solo. Joop’s ability to induce timely breaks, pauses and stops in his playing will leave guitar fanatics on the edge of their seats. Joop is definitely a guitarist to watch in 2007 and beyond! Bottom line, the varied, and at times drastic, change in genres and moods mid-album might end up segregating some listeners. There are those that’ll say, “If he had only continued with the tempo set by “Broke” and “American Dance””. Perhaps at a later date Joop might find some solace in dedicating individual releases to each genre displayed here on Out Of Order. Until then this one is definitely a recommended buy for the avid and die-hard guitar enthusiasts. Especially, those who have broader tastes and appreciate splashes of the intrinsic workings of such guitar greats as Allan Holdsworth, Al DiMeola and Jeff Beck.
Guest Musicians :
Joop Wolters |
||||||||||||||
|
||||||||||||||
As a guitarist, there are certain guitarists out there that I honestly anticipate hearing every release from, Joop is always one of them, perhaps not a household name around the globe, but he is fast gaining some noteriety around the instrumental circles as one to definitely keep an open ear for. His last cd - Speed Traffics and Guitar Accidents, was a breakthrough recording of mind boggling progressive metal minded fusion, the cd features some excellent guests and performances, but really showed the unsuspecting public that Joop Wolters is not only a gifted guitarist, but a complex writer that wants to take the guitar to new places musically.
Joop Wolters |
||||||||||||||
After a three-year absence guitar virtuoso Joop Wolters returns with his latest solo release ‘Out of Order’ which follow his 2004 opus ‘Speed, Traffic and Guitar Accidents’. With this new release Wolters has taken the instrumental guitar album to new heights with his varying style and moods changes that can be found throughout the album. Things vary between the down right all out heavy vibes to some jazz fusion, to the melodic and all spectrums in between. Things get underway with ‘Broke’, a track where we get a feel for the heavier side of Wolters guitar sound, this track definitely has that Grunge feel about it at the start of the track but soon the flying fingers of Wolters take over for a more traditional shredders style of guitar playing, but without being over the top. This heavier style is carried on into the next piece ‘American Dance’, again Wolters relies on playing the guitar as an extension of himself with some quite sublime spells of brilliance. Wolters brings it down just a touch with the melodic tones of ‘Anthem’ before really mixing things up with the jazz fusion of ‘Cardiac’ and jazz blues fusion of ‘Dropout’, then bringing in a little Spanish guitar for the ‘Harmonic Spheres’. All three tracks being the bread and butter for diehard fans of instrumental guitar albums. But it’s the heavier stuff that really floats my boat and this is what the next track ‘Divide and Conquer’ is all about streaming guitars, a heavy rhythm section. all that is missing is a Power Metal vocal and this track would be complete. Once again Wolters shows the variety of this album as he brings in a little old school AOR into the mix with the storming ‘Kindering Spirits’. But what instrumental guitar album wouldn’t be complete without some sort of Steve Vai or Carlos Santana style track and with ‘Heartline’ we definitely enter Vai country, and with the mention of Vai then low and behold the next piece ‘Tied Knots’ features non other than Virgil Donati on drums. This track has a more heavier and progressive style of guitar playing which I personally really enjoy. After the prog assault of the last track is time to bring it down once more with the soul-searching tones of ‘Bleed’ and ‘Tjabala’, before Wolters funks things up a little with ‘Fried Call’. It's time to really get laid back and horizontal as Wolters brings the more relaxed melodic vibe into the mix with ‘When Little Angels’, a track that melts away all the woes of the day and takes you away to your special place where all is right with the world. The sombre feel is soon shattered as things pick up once more with the funk jazz rock fusion of ‘Sceptic Desire’ before the album closes with ‘Aragon’, which ends a very diverse and eclectic mix of styles and genres that has something for everyone whatever your poison. Tracklisting: www.themayfairmallzine.com
|
||||||||||||||
Joop Wolters - Workshop Lion Music Horst: Gitarist Joop Wolters is een bezig mannetje. Naast zijn werkzaamheden als muziekleraar in zijn woonplaats Weert is hij ook nog eens actief lid van de Progrock formatie Arabesque, en meneer is ook te horen op menig project en een aantal Tributes (onder ander Ritchie Kotzen en Uli John Roth). Toch heeft de beste man schijnbaar tijd over, en die tijd heeft hij ingevuld met het opnemen van zijn eerste solo plaat: ‘Workshop’. En het woordje ‘solo’ is hier bijzonder op zijn plaats. Alle nummers op de CD vloeiden voor uit zijn pen, meneer nam zelf de productie voor zijn rekening en was verantwoordelijk voor het inspelen van bijna alle muziek op het album, met incidenteel hier en daar wat hulp van buitenaf met wat keyboards, het programmeren van wat drums en het artwork. In essentie is ‘Workshop’ natuurlijk één grote egotrip. Waar je als gitarist in een band uiteraard min of meer in dienst van een nummer moet spelen, daar kan je je op een soloplaat natuurlijk waanzinnig uitleven, en dat is dus precies wat Joop gedaan heeft. Hij is duidelijk geen gitarist die zich wenst te beperken tot één bepaalde stijl, met als gevolg dat ieder nummer anders klinkt. Opener ‘Tibet’ bijvoorbeeld doet me sterk denken aan Jason Becker, op ‘Funk It Up’ - de naam zegt het al - wordt er driftig gesoleerd op een funky beat, terwijl ‘Cross My Heart’ weer een Joe Satriani-achtige ballad is. Hendrix komt in de hoek kijken bij ‘I Don’t Know’, en ik zou zeer verbaasd zijn als Steve Vai niet van invloed geweest zou zijn bij het schrijven van een nummer als ‘Headstart’. Dezelfde geest waart rond op de tweede ballad van de plaat: ‘Prelude For Comfort’. ‘Syntology’ echter neemt me mee terug naar de jaren 80 solo albums van mannen als MacAlpine en Vinnie Moore, evenals de derde ballad ‘Endless Love’ (neen, geen Lionel Ritchie & Diana Ross cover!). Afgesloten wordt er met het swingende ‘Flamoose’, welke door het gebruik van een dwarsfluit (die wel uit een synth zal komen) automatisch een link legt naar Focus. Al met al een leuke instrumentale plaat, waarop Joop zich op alle mogelijke manieren kan uitleven. Jammer alleen dat je met een totale speelduur van ruim 35 minuten niet echt veel waar voor je geld krijgt, en lang niet alle composities zijn even sterk. Toch denk ik dat de doelgroep – andere gitaristen – hier wel content mee is. Hou je echter niet van egotrippende gitaristen dan kan je deze plaat rustig laten liggen. Score: 79/100 http://www.lionmusic.com review from www.lordsofmetal.com |
||||||||||||||
JOOP WOLTERS - SPEED, TRAFFIC & GUITAR ACCIDENTS (A-) Lion Music, 2004
17 tracks, RT: 63:16
[ http://www.joopwolters.com/ ]
[ http://www.lionmusic.com/ ]
Ever since I heard Joop Wolters on Vitalij Kuprij's FORWARD AND BEYOND disc I've been interested in hearing more of his stuff, so I was happy to recently receive his second solo album SPEED, TRAFFIC & GUITAR ACCIDENTS. Joop is probably best known as the guitarist in the Dutch band Arabesque, and man is this guy an incredibly skilled player! Fans of classy shred guitar are gonna love this one -- just wrap your ears around "Hi-Jacked," "A Day And This," "Beggin' For A Trip To The Stars," or "Funkonexsion" for some mind-blowing fretburning. It's not all technique though; Joop has a really nice touch that translates emotionally and melodically as well. There is a lot of variety to maintain interest and Joop's creativity is through the roof. The only weak area on the album is the occasional use of drum programming, which is well done but gives a few of the segments a somewhat stiff feel. Most of the disc is phenomenal, however, Joop proving himself more than capable of following in the footsteps of Allan Holdsworth, Joe Satriani, John Petrucci and Eric Johnson. Surely one of the best instrumental shred type albums I've heard this year, Joop makes me wish I was a better player. Investigate this without hesitation... -
Neal Woodall (MysticX10@msn.com)
Detritus Rock/Metal e-zine
"Rock Hard With A Purpose"
http://groups.yahoo.com/group/detritus/
Joop Wolters - ”Speed Traffic and Guitar Accidents
Joop Wolters comes roaring back with an all instrumental tour de force titled Speed, Traffic and Guitar Accidents. Aptly titled as this storm bringer of a CD is chock full of ripping guitar.
Heavily influenced by the likes of master guitarists Alex Lifeson, Al Dimeola and Gary Moore, Joop Wolters delivers an over the top steamroller of a performance throughout all 17 tracks. Speed, Traffic and Guitar Accidents reaffirms the world that Joop Wolters is a first rate shredder with progressive roots and a predilection for melody and tension within the frame work of emotionally drenched instrumental compositions. A true technical fiend who can rip and tear with the best, Wolters soars where few dare to go.
This is an eclectic mix of diversity that showcases a variety of musical styles that range from progressive, funk, fusion, shred, classical and pretty much everything in between. Many of the songs put forth on Speed, Traffic and Guitar Accidents are in the vain of a Dream Theater or Steve Vai type composition with nods here and there to the classical masters.
Wolters delves deep into his amazing bag of guitar styling and comes up with some very convincing performances. This time around Joop is performing with a seasoned cast of musicians all of whom help him realize his musical vision. The guitar tracks are sonically pleasing with just the right mix between all instrumentation – overall a nice palette of musical textures that transport the listener to the inner sanctum of Joop’s mind.
Speed, Traffic and Guitar Accidents is an adventurous release from one of the world’s truly underrated and creative musical innovators. No stranger to instrumental guitar, Wolters has been showcasing and refining his mind blowing chops and compositional styling since he picked up the guitar in 1986. Since that time he has developed into a master technician who interweaves intricate musical passages with melodic backgrounds that are rife with feel and passion. Many of today’s new guitarists are incorporating strong technical knowledge with emotional integrity and feel - a great combination that is elusive to most. Wolters shines in this department.
All tracks found on this mother of a release are worthy of ones attention – my favorites include:
“Resolute” – a great epic jazzified number with a nice prog-jazz melody that lays the foundation for some amazing over the top solo forays that utilize single note runs, some great cosmic whammy bar bending and a nice smattering of keyboard, guitar interplay.
“Acoustimas” – a heady melodic atmospheric track done on acoustic. Great flamenco vibe with a beautiful flowing main theme. The song builds in intensity until it is full shred ahead with some ripping single note runs and tremolo picking.
“Meka Dance” – a Satriani like funk romp that burns from start to finish and contains a jazzy rhythm background. Joop incorporates almost every guitar technique available to make this tour-de-force a strong showcase for his over all ability.
Wolters is part of the “New World Order” of guitarists who bring a complete package to the table. He incorporates the request palette of shred chops combined with AOR song craft and melodic sensibilities. Wolters is one of those rare musicians who seem to be blessed with god given talents that allow him to deliver a very diverse, emotionally charged offering that combines a wide and eclectic mix of guitar styles. Anyone who enjoys Progressive instrumental guitar combined with over the top melodic guitar textures will really like Speed, Traffic and Guitar Accidents.
Guitar Mania – http://www.guitarmania.ca
JOOP WOLTERS ‘WORKSHOP’ (LION MUSIC/BERTUS)
Joop Wolters – “Workshop” Accessible, catchy, groove oriented with great guitar chops throughout. Joop Wolters is a master craftsmen running the gamut of all out shred to refined fusion. Workshop is a diverse slab of intense guitar playing showcasing a major new talent on the instrumental scene. The songs contained within Workshop are so diverse that the CD should appeal to just about anyone who can appreciate top quality musicianship. Highlights of the CD include the melodic rocker “Cross My Heart” – an intense ballad like number that builds in intensity throughout, ending with a smoldering solo. Another great rocker with cool Satriani meets Hendrix vibe is the hot “I Don’t Know” where Wolters makes great use of the wah, wah delivering a fast driving tour-de-force rocker. Things slow down for the beautiful “Prelude for Comfort” with its Holdsworthian type jazz fills and melodic structure. My personal favorite of Workshop is “Syntology” where Joop lets his spirit soar, burning up the fret board with super fast and articulate arpegiated runs and sequences that draw from neo-classical and all out shred. Wolters draws inspiration from the likes of Vai and Moorse, developing a unique very identifiable style that is worthy of recognition. A great technician with an unbelievable sense of timing and melody. Workshop showcases Joops diverse range of ability and introduces a unique new guitar talent. Guitar Mania JOOP WOLTERS - WORKSHOP (C+, B) Lion Music, 2003 |
|